Ann Powers of The New York Times called Maxwell "an expert seducer" and the music "the aural equivalent of lotion rubbed on one's back by someone interesting", but believed the lyrics lacked substance. In the Chicago Tribune, Greg Kot wrote that the record "functions primarily as background music, sustaining its contemplative tone and percolating groove almost too well". ![]() Maxwell has defined the album's title as "an approaching growing transition thought to be contained but destined for broader perception." Critical reception Professional ratings Review scoresĮmbrya was originally received unfavorably by most critics. Its production sound contains bassy, electronic and slight syncopated beats. However, the album features more of an emphasis on groove than melodies. With a lesser jazz emphasis than his debut album, Embrya continues the trend towards heavy basslines and string arrangements, and it focuses on themes such as love and spirituality. A neo soul album, Embrya features heavy basslines, string arrangements, and an emphasis on groove over melodies. As on his 1996 debut album Maxwell's Urban Hang Suite, he collaborated with record producer and Sade collaborator Stuart Matthewman. Embrya is the second studio album by American recording artist Maxwell, released on June 30, 1998, by Columbia Records.
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